Some years ago, I discovered that I love staycations, rather than traveling. My style is to call them “mental health breaks,” aspirationally staying in a local four-star hotel for a night a few times a year. (My latest conquest was the InterContinental, on which I used points to get an absurdly low rate on a top rate room. My next conquest is the Langham.)
These places provide numerous amenities I don’t have at my SRO: A bed, a bathtub, movies, a pool, fine restaurant food served to me on a ceramic plate at a table with a cloth instead of handed over a counter in a styrofoam box, and access to alcohol, the latter prohibition in my SRO probably to prevent fights or people drinking themselves into a stupor alone every night.
In a hotel, unlike the smallest real apartment I could rent at three times my SRO rent, I don’t have to clean the bathtub, tub, and sink, change and wash the linens, go out in the weather to watch movies, and lug home a bottle of wine that will half spoil because I cannot drink the whole thing in time. A hotel room for a night or two gives me true appreciation of amenities for a fraction of the cost of having them where they are merely burdens. (And, as I mentioned in my post on interior design, they have given me a taste for simpler design combined with finer, more durable materials.)
I have made these mental health breaks often enough over the years to sense how hotel clerks size up the customers. But, as I’ve told you before, I tend to look like a bag lady at the best of times.
Bringing one’s luggage in plastic grocery bags means bad treatment. Using black fabric bags means routine, mindless treatment. Bringing three or four largeish bags in a loud, matching Vera Bradley pattern means being treated like C’mell in Cordwainer Smith’s novel “Norstrilia.” A generous 20-oz. cold bottle of water appears from nowhere, the lightweight bags are gently lifted onto a giant brass luggage cart, and upon arrival at the room, the bellhop carefully explains how the thermostat works before bowing, accepting his tip, and literally backing out of the room.
The bear-man leapt from his stool with astonishing speed. “Cat-madame!” he cried, “A thousand pardons. You can have anything in the place. You come from the top of Earthport? You know the Lords of the Instrumentality personally? You would like a table roped off with curtains? Or should I just throw everybody else out of here and report to my Man that we have a famous, beautiful slave from the high places?”
So it is with embarrassment at my pretentiousness that I admit that for years, I have wanted a fine leather designer purse. Not the tacky fabric kind with an “LV” or “CC” logo; I mean the real real thing, leather. And classically styled, no fringes and useless buckles hanging off it. If humble Vera Bradley can get me this far, what will Longchamp or Coach Classic or Chanel get me? On the rare occasions I have had a chance to examine them, I am impressed by the scent and flexibility of the leather, the attention to rounding off the ends of the stitching, and so on. If you don’t have one of these real bags, and you can afford it, get the real thing and not a fake.
But I also know I have an almost magical, magnetic predisposition to walk clumsily into the tongues of doors hard enough to ruin shirts and, doubtless, ruin a fine leather bag. A good watch will keep running on time, A Vera Bradley bag is loud enough to hide the marks, a leather bag is scarred forever.
And, well, there isn’t much I want from the hotel, not worth spending that kind of money on something that has to be handled with such care to present a social clue that may or may not register. Nothing that drastic. Vera Bradley you can’t miss, it punches you in the eyeball at a fraction of the price.
So I must confine my admiration of fine leather products to the other side of the screen or the window. I’m all set now. Thanks for the free bottle of water!